
PRESS RELEASE: Full moon, Spring 2011
(ADAM HILL)
'NEW ART, NEW ERA, NEW STYLE, NEW ATTITUDE'
Dear family, friends, art aficionados and or all of the aforementioned...
This announces my brand new style in art-making. I'm very excited to present the first examples of my new adventure in 'modern art'. Already, this application has become addictive as I find it both refreshing as well as detoxing. I feel I've found a connection I've needed for some time now.
Having declared this year 'off' (painting), and having traversed 15 000kms of the continent, I found myself eager to begin producing again.
Constantly viewing vast landscapes on a variety of countries here and, constantly handling wood for campfires at night, I stumbled upon a unique application.
I've readdressed my choice in medium through becoming 'eco savvy'. Aiming to dramatically reduce my personal carbon footprint, I've chosen NOT to continue painting on cotton canvas. Despite choosing carefully in the past,relying solely on 'Australian- made cotton canvas/ plantation pine stretcher', I found myself asking- 'why (?) when materials are regularly discarded on the footpaths of suburbia'.
Therefore, enter the 'new me'. Found doors/ table-tops etc. Naturally fallen Eucalyptus branches and most importantly... 'BIO' enamel paint with the lowest VOC's (harsh chemicals). The catch in the latter being that these paints are VERY expensive BUT least damaging to myself and the environment and are gorgeous in their ultimate finish. The use of power tools is strictly limited too, rather relying on fine quality wood working hand tools proving quite meditative in use. Capped off with the inclusion of hand-written text, often an 'off the cuff' emotion or, a line sourced from personal writings and prose.
The first pieces have begun speaking for themselves. In fact, the first large piece - 'Australia 0-223' being selected as one of 40 finalists in the 'Cricket Art Prize' 2011. The second - 'Brain Cells' (a result of workshops with the Koori inmates at Goulburn Gaol earlier in the year) will feature in a combined exhibit at Goulburn Regional Gallery.
I feel this style has considerable room to evolve and also a great variety of applications. From workshops to public installations etc.
| 1994 | BA Graphic Design - University of Western Sydney, Nepean |
| 1989 | Jamison High School (Penrith) |
| 2009 | 'A Colony of Terrors' - Harrison Galleries, Sydney |
| 2008 | 'This is why we don't stand for the anthem' - Arc One, Melbourne, VIC |
| 2008 | '100 x 5 x7 = me ²' - Washhouse Gallery, Rozelle, Sydney, NSW |
| 2007 | 'Not for the Faint Hearted' - Arc One, Melbourne, VIC |
| 2006 | 'A sign of the crimes' - Mori Gallery, Sydney, NSW |
| 2005 | 'Dingo On' - Washhouse Gallery, Sydney, NSW |
| 2005 | 'Hand Some Returns' - Birrung Gallery, Leichardt, NSW |
| 2004 | 'Whitewashed' - TAP Gallery, Darlinghurst, NSW |
| 2004 | 'The Outskirts of Town' - The Canberra Grammar School, ACT |
| 2003 | 'Progression' - Walkabout Gallery, Newtown, Sydney, NSW |
| 2002 | Joan Sutherland Performing Arts Centre, Penrith |
| 2000 | Eora Scapes, The Studio, Sydney Opera House |
| 1999 | Mananura Aboriginal Arts Coop, Jamisontown |
| 2008 | 'Ngadhu, Ngulili, Ngeaninyagu', Campbelltown Arts Centre, Campbelltown |
| 2008 | Amnesty International Australia Freedom Art Prize, Tap Gallery, Sydney NSW |
| 2008 | 'Lines in the Sand', Hazelhurst Regional Gallery, Sydney, NSW |
| 2008 | 'Windows on Pain', ABN Amro Building, Sydney, NSW |
| 2008 | 'Facetnate!' Match Box Projects, Japan Foundation Gallery, Sydney, NSW |
| 2007 | 'The Coloured Digger', Damien Minton Gallery, Sydney, NSW |
| 2007 | NSW Parliament House Indigenous Art Prize, Parliament House Sydney |
| 2007 | Xstrata Coal Emerging Indigenous Art Award, Queensland Art Gallery, QLD |
| 2007 | Annual Members Show, Boomalli, Sydney, NSW |
| 2007 | 'Re-inscriptions', Asia Australia Arts Centre, Sydney, NSW |
| 2007 | Telstra Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of Northern Territory, NT |
| 2006 | 'Place', Mori Gallery, Sydney, NSW |
| 2006 | Telstra Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of Northern Territory, NT |
| 2005 | NSW Parliament House Permanent Collection, NSW Parliament House, NSW |
| 2004 | Boomalli Exchange, Winnipeg, CANADA |
| 2008 | Mil-Pra Art Prize - Finalist |
| 2007 | Parliament of NSW Indigenous Art Prize - Finalist |
| 2007 | The Xstrata Coal Emerging Indigenous Art Award - Finalist |
| 2006 | Maria Locke Award, Mil-Pra Art Prize - Winner |
| 2005 | Parliament of NSW Indigenous Art Prize - Finalist |
| 2004 | Mil-Pra Art Prize - Winner |
| 2003-2008 | Telstra Aboriginal and Torres Strait Islander Art Award - Finalist |
| 2003 | Mil-Pra Art Prize - Liverpool Council Mayor's Choice Award - Winner |
| 2002 | Blacktown City Art Prize - Inaugural Winner |
| 2004 | Artist in Residence, The Canberra Grammar School |
| 2008 | 'Artbank' pg 20 (Catalogue) |
| 2008 | 'Windows on Pain' pg 9 (Catalogue) |
| 2008 | 'Australian Art Review' issue 15, Robyn Lucas (Article) |
| 2008 | 'Telstra' Award, pg 42 (Catalogue) |
| 2008 | 'Between the lines', SBS TV 'Message Stick' (Documentary) © ESTAMON 2008 |
| 2008 | 'Lines in the Sand' pg 76, Hazelhurst Gallery/ Ace Burke (Catalogue) |
| 2008 | 'Parliament of NSW Indigenous Art Prize' pg (Catalogue) |
| 2008 | 'Curly and the Fent' and 'Curly saves Grandmas House' Sally Morgan and Children, Random House Publishing (Illustrations) |
| 2007 | 'XSTRATA' Emerging Indigenous Art Award pg 8 (Catalogue) |
| 2007 | 'Children's Activity Book' Aboriginal Justice Advisory Council (Design/ Illustration) |
| 2007 | 'The Mag' Issue 3 Museums & Galleries NSW pg 13 (Image) |
| 2007 | 'Yirra and her deadly dog Demon' Anita Heiss, ABC Books (Illustrations) |
| 2007 | 'Parliament of NSW Indigenous Art Prize' pg 24 (Catalogue) |
| 2007 | 'I’m not racist but…' Anita Heiss, Salt Publishing (Cover image) |
| 2006 | 'Parliament of NSW Indigenous Art Prize' pg 23 (Catalogue) |
| 2006 | 'Stolenwealth' Breakdown Press Melbourne pg 4,9 (Image) |
| 2006 | 'Eyeline' Issue 61, Adam Geczy pg 46 (Article) |
| 2006 | '14th Mil- Pra AECG Award' pg 12 (Catalogue) |
| 2005 | 'Parliament of NSW Indigenous Art Prize' pg 22 (Catalogue) |
| 2004 | 'Knowledge+Dialogue+Exchange' Artspace, pg 149 (Article) |
| 2004 | 'Telstra' Award, pg 69 (Catalogue) |
| 2001 | 'Telstra' Award, pg 35 (Catalogue) |
| 2000 | 'Mum Shirl Tribute Exhibition', pg 28 (Catalogue) |
| 1996 | 'For The Record' Allen & Unwin (Cover image) |
| University of Western Sydney | |
| City of Sydney | |
| Artbank | |
| Sydney Grammar School | |
| National Gallery of Australia |