In "Lucky Prince and Pretty Princess", horse-toys are adorned in headdresses of sensational text inspired by the world of sports/fitness advertising. They are Anna Hoyle’s latest emblems for a world gone crazy on a cheap, plastic consumer culture and its bizarre words of persuasion. Figures inspired by Tang dynasty ceramics ride these lurid coloured horses, continuing Hoyle’s interest in nonsensical juxtapositions of ancient and contemporary, eastern and western.